From Production Type: Production Type was commissioned by Google Fonts to create a new typeface primarily intended for immersive reading, that is now available in GSuite, Google’s collaborative office-suite for documents, slides and spreadsheets.
Based in Paris, Production Type is a digital type design agency. Its activities span from the exclusive online distribution of its retail type for design professionals, to the creation of custom typefaces for the industrial, luxury, and media sectors.
Milieu Grotesque is an independent publisher and distributor of typefaces and related products. Established in 2010 by Timo Gaessner and Alexander Colby.
From NY Times: The nameplate that has come to be the visual synonym of The Times was most recently redrawn in 1967 by the designer Edward Benguiat. The letterforms on which the nameplate is based, known as blackletter or Gothic, can be traced to the late 700s, long before Gutenberg ever put ink to type.
From Nielsen Norman Group: Vertical lists attract the eye and make each list element stand out on its own. Thus, they are more effective than inline lists at making key points easier to scan, reference, and understand.
From Truth-Out: If you’re among the more than 2 billion people in the world that now uses a smartphone, chances are pretty good you remember your first smartphone. You remember how your life changed when your phone suddenly became connected to the internet and became a tool to find your way around almost anywhere instantaneously, send emails on the go, stay in touch with loved ones 24/7, and answer all your random curiosities.
From Bloomberg: If you pull out your phone to check Twitter while waiting for the light to change, or read e-mails while brushing your teeth, you might be what the American Psychological Association calls a “constant checker.” And chances are, it’s hurting your mental health.
n a world of fake news and alternative facts, The New York Times is asserting the primacy and importance of the truth—and the role independent journalists play in searching for it, and telling it—in a big new brand campaign from Droga5.
Stripped-down TV, print, outdoor, digital and social ads tackle head on the sense of eroding faith in the knowability of the truth, and acknowledge that what’s asserted to be the truth in today’s hostile and oversaturated political media landscape is often just opinion, or even outright lies.
The campaign includes a 30-second spot that will air on the Academy Awards on Feb. 26 (where such ad slots are going for up to $2.5 million). The spot features audio of people debating politics, while on-screen text finishes the sentence “The truth is…” in various ways.
From Parker Palmer at Global Oneness Project: The human heart is the first home of democracy. It is where we embrace our questions. Can we be equitable? Can we be generous? Can we listen with our whole beings, not just our minds, and offer our attention rather than our opinions? And do we have enough resolve in our hearts to act courageously, relentlessly, without giving up—ever—trusting our fellow citizens to join with us in our determined pursuit of a living democracy?
—Terry Tempest Williams
“We the People” called American democracy into being. Today, the future of our democracy is threatened. How can “We the People” call American politics back to health at a time when, in the words of Bill Moyers, “we have fallen under the spell of money, faction, and fear”? One answer is close at hand, within everyone’s reach. We must return to the “first home” of democracy, which, as Terry Tempest Williams points out, is found not in a centuries-old document or in a distant city, but in the human heart.
From Lifehacker: You’d think that bullies would disappear after high school, but some people never grow out of being a great big jerk. They may not steal your lunch money anymore, but bullies can still harass you, put you down, and even undermine your work. Here are some tips for understanding and dealing with bullies, no matter how old you are.
From NY Times: No other living artist is more closely identified with an American theater company than James McMullan. For 30 years, his painterly posters for Lincoln Center Theater have been turned into collectibles that are more than advertising: They’re synonymous with the shows themselves. It’s hard not to think of “Carousel” without recalling his artwork for the 1994 revival that depicts a brooding Billy Bigelow, vividly illuminated from below, atop wooden horses that rear beneath an angry sky.
To commemorate Mr. McMullan’s artistic tenure with Lincoln Center, a permanent exhibition of some of his best-known works was recently installed in the lobby of the Mitzi E. Newhouse Theater. For playwrights, having Mr. McMullan, 82, spend so much time considering and visualizing their created world is like having Picasso paint their child’s portrait.
From NY Times: Facebook allows you to designate a friend or family member as a “legacy contact.” If you want to have your account memorialized after you die, this person basically serves as the executor of your Facebook account by managing your profile and can update your cover photo and profile photo, post information and accept new friend requests. (Memorialized accounts without legacy contacts cannot be changed.)
From NY Times: You’ve probably thought about what will happen to your finances, your possessions and maybe even your real estate when you die. But what about your Facebook account? Or your hard-drive backups?
From The Washington Post: As part of the “digital transition” plan laid out by the Obama White House shortly before the election, the incoming administration starts with a clean slate.